And [now] it’s okay for people to go on stage and f*cking fake the songs. They don’t want the real thing, they don’t want the bad notes, they don’t want somebody who can go up there and sing their own songs, they just want somebody that can do the f*cking flashy dance moves.
It’s not like that element wasn’t there before, but now it seems like that’s all that it is. I mean, that’s not to say that there’s not some great bands out there doing really good music, but the ratio to those other things seems off.
Because, at the risk of sounding a little fruity, I believe that a life in which we habitually abandon the known Good Things in order to helplessly stab at ““managing”” a nebulous morass of chaoses that we can never control is not much of a life at all.
Mister Rogers went onstage to accept the award — and there, in front of all the soap opera stars and talk show sinceratrons, in front of all the jutting man-tanned jaws and jutting saltwater bosoms, he made his small bow and said into the microphone, “All of us have special ones who have loved us into being. Would you just take, along with me, ten seconds to think of the people who have helped you become who you are. Ten seconds of silence.”
And then he lifted his wrist, looked at the audience, looked at his watch, and said, “I’ll watch the time.” There was, at first, a small whoop from the crowd, a giddy, strangled hiccup of laughter, as people realized that he wasn’t kidding, that Mister Rogers was not some convenient eunuch, but rather a man, an authority figure who actually expected them to do what he asked. And so they did. One second, two seconds, three seconds — and now the jaws clenched, and the bosoms heaved, and the mascara ran, and the tears fell upon the beglittered gathering like rain leaking down a crystal chandelier. And Mister Rogers finally looked up from his watch and said softly “May God be with you,” to all his vanquished children.