Foo Fighters - “But Honestly” (Echoes, Silence, Patience & Grace, 2007)
Dave Grohl has to be one of the hardest-working people in rock music today, and say what you will, I like most everything he’s ever done on one level or another. “But Honestly” is no different. I love the simplicity of first half of the song with just Dave’s voice and acoustic guitar and how it builds into this whole other stadium rock anthem thing.
Glen Phillips - “Cleareyed” (Winter Pays for Summer, 2005)
Fingers crossed that iTunes continues to serve up a good Friday Five. Glen Phillips is one of my favorite songwriters, and again, there’s not much he does that I don’t like. Winter Pays for Summer should have been a breakthrough album for the former Toad the Wet Sprocket singer, but I’m beginning to realize that I just don’t understand the music industry. At all.
Victor - “Victor” (Victor, 1996)
Uh-oh, here’s where iTunes goes wonky on me. This comes from a solo album Rush’s Alex Lifeson released under the project name Victor. The title track bears absolutely no resemblance to anything Rush has ever released, and if you didn’t already know this was Lifeson, you wouldn’t believe it. While most of the album features former I Mother Earth singer Edwin on vocals, “Victor” is a spoken-word track of sorts with Lifeson handling the “vocals.” Victor is mostly made up of heavier, post-modern alterna-rock-styled tunes, but this one is just plain strange.
The Scooters - “Throw Your Arms Around Me (Live)” (Peepshow, 2000)
I’m not sure how I came across the Scooters, but given the catchy pop tunes and sweet vocal harmonies, I’m guessing it was probably from my favorite rock ‘n’ roll snob Jay. This particular song is a live cover of a tune from the Australian band Hunters & Collectors, and while it strips away the decidedly 80s feel of the original, it is so unlike the rest of the Peepshow EP that you can’t use it as the measuring stick to judge whether you would like the rest of the album.
Thin Lizzy - “Romeo and the Lonely Girl” (Jailbreak, 1976)
This is not my favorite Thin Lizzy tune, but the more I listen to Phil Lynott’s work, the more I find to like. This is a good way to close out today’s Friday Five.