Clang & Clatter

Friday the 13th doesn’t have to be scary with the Friday Five over at IckMusic.

Dream Theater - “Ytse Jam” (When Dream And Day Unite, 1989)
Excellent instrumental from Dream Theater version 1. The title is “Majesty” spelled backwards and alludes to the band’s name in its previous incarnation. The album as a whole has not aged well in places, but in others, it remains an excellent showcase of the band’s songwriting and playing prowess.

Alice in Chains - “Nutshell” (Unplugged, 1996)
This album which was recorded as part of MTV’s Unplugged series is probably my favorite from this “grunge” band, with “Nutshell” being one of the best performances from the set. Known more for his chunky guitar riffs than for his acoustic work, Jerry Cantrell shows just how well-rounded he is, providing his usual excellent harmony vocals behind Layne Staley’s unique—though sometimes annoying—voice. I think the songs benefit from the laid-back acoustic arrangements here, and given that AIC had not performed together as a band for nearly three years, they are amazingly tight. Unfortunately this would become one of Staley’s last shows prior to sliding into deep depression and his eventual overdose in 2002, giving many of the songs a weight and somberness in hindsight that they may not have carried at the time.

Caedmon’s Call - “Thousand Miles” (Back Home, 2003)
I’m not sure why iTunes keeps picking Caedmon’s Call, and this album specifically, from my library for Friday Fives, but in the case of this song, I don’t mind one bit.

Iron Maiden - “Moonchild” (Flight 666: The Original Soundtrack, 2009)
Another live cut from Flight 666, this time an often forgotten Maiden gem that popped up in my Friday Five for August 26, 2011. “Moonchild” is from a Puerto Rican show on the tour, and the crowd there is as wild as the South American audiences. And frontman Bruce Dickinson hams it up as usual. Maiden is such a tight unit, and you would be hard-pressed to find a better live metal band.

Mae - “Release Me” (Singularity, 2007)
I am pretty open about my love of this band on my blog, which may seem odd to many given my metalhead and snobbish musical tendencies, but I just can’t help it. I love just about everything Dave Elkins and company have ever put out, and this song and the album it comes from are no exception.

I stole your Friday Five over at IckMusic. Ain’t never gonna let it go.

KISS - “I Stole Your Love” (Alive II, 1977)
Another classic from KISS’s second live album. Same annoying fake crowd noise.

Caedmon’s Call - “Mystery of Mercy” (Back Home, 2003)
Version of the Andrew Peterson-penned song that I covered in the 2/17/2012 Friday Five. Not much else to say about it.

Coheed & Cambria - “Delirium Trigger” (The Second Stage Turbine Blade, 2005)
I love most of the music produced by the C & C music factory (no, not that C & C Music Factory), but good grief, I wish I understood the story arc behind these albums.

Iron Maiden - “Iron Maiden” (Flight 666: The Original Soundtrack, 2009)
I’ve gotten so used to Trivium’s version of this song that the original sounds old and slow to me these days. But a great song nonetheless. The Flight 666 rockumentary has some excellent live footage. The Central America and South American crowds are completely insane (see also: Rush in Rio). Looks like a fun time and quite a refreshing difference from the typical spoiled, cooler-than-you American concert goer.

Mötley Crüe - “Starry Eyes” (Too Fast for Love (Leathür Records version), 1981)
The original Leathür records version of one of my favorite songs off the Crüe’s debut album. A couple of friends and I literally wore out the cassette version of the Elektra release of this album. Good times playing air guitar, air cowbell, and trying to sing in Vince Neil’s Mickey Mouse falsetto. Can I get the real Mötley Crüe back?! Whatever happened to these guys?

Bringing it back for IckMusic’s Friday Five.

I just realized that it’s Friday the 13th. In light of that and Tony Iommi’s recent cancer announcement, maybe I should have made this an all Black Sabbath Friday Five. Oh well …

Kansas - “Bringing It Back” (Kansas, 1974)
Boogie-jam cover of a J.J. Cale tune from future AOR prog-rock darlings that relates a tale of bringing something back from Mexico. Wonder what that could have been?!

King’s X - “Lies in the Sand (the ballad of…)” (Ear Candy, 1996)
Yes! This is more like it. Slow, arpeggiated tune from the trio’s underrated and under-appreciated one-and-only attempt at a hit album (or album of hits) after receiving pressure from Atlantic Records. Ear Candy was a bit of a shock to the KX faithful after the grungy Dogman, but it has remained one of my favorite albums by King’s X. For my money, you would be hard-pressed to find a guitarist as emotive and expressive (while remaining relatively unknown in most circles) as Ty Tabor.

Caedmon’s Call - “Valleys Fill First” (Long Line of Leavers, 2000)
Another departure from the norm of sorts, this time from the folky-turned-poppy CCM group Caedmon’s Call. The band experimented with a wide range of styles on this disc, including adding a brass ensemble on the opening (and possibly best) track. Solid pop tune from a very accomplished group of musicians.

Counting Crows - “If I Could Give All My Love (Richard Manuel Is Dead)” (Hard Candy, 2002)
Hard Candy is quite possibly my favorite album from Counting Crows. A mixture of poppy, upbeat, and accessible tunes and Duritz’ typical brooding, moody, self-deprecating lyrics makes for one of their most cohesive releases. And there is some excellent guitar work throughout.

Queensrÿche - “My Empty Room” (Operation: Mindcrime, 1988)
Filler segue track from this Seattle prog-metal band’s magnum opus. Queensrÿche has tried over the years to top this wildly successful concept album, but in my opinion has only come close a couple of times, first with Mindcrime’s follow-up Empire, the album responsible for making the band a household name due to the success of the single “Silent Lucidity,” and then again with Tribe, the 2003 release that saw the return of founding member and guitarist Chris DeGarmo, who collaborated on a handful of tracks. Fans hoped for a full-fledged reunion of the original lineup, but unfortunately it was not meant to be.

It’s finally Friday. Time for the Friday Five with IckMusic.

The Police - “Every Little Thing She Does Is Magic” (Message in a Box: The Complete Recordings, 1993)
iTunes shuffle is a strange thing. I have nearly 8400 songs in my music library, and it picks a song from an album covered in last week’s Friday Five. Nonetheless, this is one of my favorite Police tunes, and despite its being played out on classic rock radio, it’s a song that doesn’t have me reaching for the skip button.

Caedmon’s Call - “Center Aisle” (Caedmon’s Call, 1997)
This is not the first time CCM folk outfit Caedmon’s Call has shown up in my Friday Fives. This time it’s a track from their major label debut (they had released a couple of independent albums prior to this) penned by fellow Memphibian (turned Nashvillian by way of Houston) Derek Webb. He wrote the song on the way home from the funeral of a friend who had committed suicide at which he’d been asked to play. It’s a song questioning what troubles in her life were so overwhelming that could not have been worked out in that quiet room surrounded by the people who loved her. Beautiful and pleading, the song consists simply of Derek’s vocals and an acoustic guitar, a combination that always draws me in.

Tesla - “Love Me” (Mechanical Resonance, 1986)
Mechanical Resonance is one of those albums that I purchased at a mall record store as a teenager without ever having heard a single note. This is not one of the better songs on the band’s debut, but it’s not bad, and I do love the wah-wah saturated guitar solo.

The Damnwells - “Golden Days” (acoustic version from the Golden Days film trailer)
I have a sort of love/hate relationship with this band-turned-musical-collective. Frontman Alex Dezen’s songwriting can at times be equal parts pure genius and totally frustrating. Fortunately this is one of this better tunes.

Judas Priest - “Freewheel Burning” (Defenders of the Faith, 1984)
“Fast and furious” proclaims the screaming, squealing, and screeching Rob Halford in this song’s opening strains. That it is, as is much of what sadly would become probably the last truly great album by the mighty Priest. Excuse me, I have some headbanging and horns-throwing to do. Later.

It’s time to hit shuffle again and see what iTunes serves up for IckMusic’s Friday Five. Here’s what happened today:

Anthrax - “Contact”/”What Doesn’t Die” (We’ve Come for You All, 2003)
Pointless album intro song “Contact” was first up today, so I’m going to cheat and include the second track from the disc “What Doesn’t Die.” Combined they form an excellent opening from one of my favorite Anthrax albums. This album is suited in every way for John Bush’s growling, aggressive vocals, and it is the release that actually got me excited about Anthrax again after the easy-to-overlook albums that followed 2001’s Sound of White Noise. It’s a shame this was Bush’s last proper release with the band before the reunion tour with Belladonna and all the soap opera-ish antics began.

Robert Plant and Tori Amos - “Down By The Seaside” (Encomium: A Tribute to Led Zeppelin)
There are a lot of good covers of Zep tunes on this disc. Too bad this isn’t one of them.

Anthrax - “Strap It On” (We’ve Come for You All, 2003)
Another track from this album?!  What’s up with your shuffle randomization algorithm, iTunes? Hey, works for me. And despite what the title implies, this song is about strapping on your guitar and thrashing out old-school style. Get your mind out of the gutter. Guitar solo courtesy of the late, great “Dimebag” Darrell Abbott.

Nirvana - “Breed” (Nevermind, 1991)
OK, I guess I’m one of those weird metalheads that doesn’t blame the Seattle grunge scene for killing metal. Some of those bands really needed to go away anyway. Good riddance. That being said, I’m also not one of those guys that thinks this was a perfect album or that Kurt Cobain’s entrance onto the music scene ranks up there with the Second Coming. As for the song itself, it’s definitely one of the better tracks off the album.

Caedmon’s Call - “There’s a Stirring” (my calm // your storm, 1994)
Speaking of the Second Coming, the last track for today is from my one-time favorite folk-/acoustic-based Contemporary Christian band. Slower live track with excellent harmony vocal arrangement accompanied by all manner of acoustic guitars, double-bass, percussion, and even a fiddle (or violin if you’re a fancy-pants music kind of person). Nice way to end this Friday Five.