Now I have the reward of listening to the drum parts I have performed for this album, and recognizing with quiet satisfaction that I am working at a whole new level of both funky, dirty, greasy groove and fancy show-off technique—a combination I have been seeking my entire drumming life.
Neil Peart, “At the Gate of the Year”, a blog post documenting (among other things) his new approach to composing drum parts for the upcoming Rush album Clockwork Angels
